The soundtrack has lively numbers, which the youth may love.
Composer D Imman catches the mood really well in Romeo Juliet, writes Lakshmikanth Jaganmohan.
By changing the nation's name from India to Bharat, would this landmass overnight lose the emotional and cultural linkage that had been built over generations, centuries and millennia, asks N Sathiya Moorthy.
After the singer's son S P Charan performed the funeral rites amid Vedic chants by priests, 24 police personnel gave a gun salute and later the body was lowered into a deep pit and buried.
Which of these Dussehra releases are YOU waiting for?
Fahadh Faasil who acted in as many as 12 films was outstanding in 2013.
Fahadh Faasil who acted in as many as 12 films was outstanding in 2013.
Kimi Raikkonen's return to the Italian Prancing Horse was immanent. And when it happened on Tuesday there was no surprise but questions rose over the place of Fernando Alonso at Ferrari.
There are many, many instances of this 'dark' approach. Sukanya Verma looks at a few.
A decently paced, well scripted film with plenty of humour and great music makes Sivakarthikeyan's Kaaki Sattai worth a watch, writes S Saraswathi.
D Imman has failed to make the music of Vambuchanda interesting. The five-track album cannot be called even distant cousins of Kathakali songs. The film is directed by Raj Kapoor and has Satyaraj, Udaykiran and Divya in the lead.
Though Yuvan has steered clear of his favourite cosmetic trappings like rap and remixes, he still managed to bring out a youthful album.
S Saraswathi brings the latest updates from the Tamil film industry.
Three Tamil movies coming up this weekend: Jil Jung Juk, Anjala and Vil Ambu.
Rekka or Remo? Which film are you looking forward to this weekend?
Meen Kuzhambum Mann Paanaiyum is not worth your time, S Saraswathi advises.
A lowdown on all the goings-on in the Tamil film industry.
Good performances and an interesting screenplay make Prabhu Solomon's Thodari worth a watch, feels S Saraswathi.
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Unnecessary songs mar the narrative flow.
Puli is an uninspiring fantasy adventure film, feels S Saraswathi.
Rekka overdoses on action, feels S Saraswathi.
Director Lakshman pitches love against money in Romeo Juliet and there are no prizes for guessing which one wins, writes S Saraswathi.
Marudhu will give you a headache, warns S Saraswathi.
Good performances, a well-written screenplay and great comedy make Vasanthamani's Vetrivel a decent watch, writes S Saraswathi.
The film is reduced to a lame science fiction with an overdose of action, writes S Saraswathi.
Director Ponram's Rajini Murugan has no real plot, nor any remarkable characters or poignant moments, but some good music, vibrant visuals and spontaneity and charm of its lead actor, makes it a fun watch, writes S Saraswathi
Paayum Puli lacks the subtlety, intrigue and clarity that we have come to associate with director Suseenthiran, says S Saraswathi.
Poojai is your standard Hari fare, says S Saraswathi.
Vellaikaara Durai barely makes an impression. The story is let down by an aimless screenplay with tedious characters and average music, writes S Saraswathi
Director Prabhu Solomon's Kayal is heartrending tale of love set in the backdrop of the brutal tsunami of 2004.
Jeeva lacks the unique touch that director Suseenthiran's works are generally associated with.
A well-executed film with good performances, Sigaram Thodu is definitely worth watching.
There is very little in the film to keep the audience engaged.
Oru Oorla Rendu Raja is a tedious comedy drama that attempts to highlight the inhumane working conditions of factory workers in our country.
Vijay Sethupathi's Rummy -- directed by debutant Balakrishnan -- is an engaging village-based dark romantic thriller set in the 1980s.
'You could be out of sight, out of mind but it may take just one song to bring you back and to let you know that your audience is still rooting for you.'